It is also what the C300 mark II achieved. As always, the Arri ALEXA stays untouched with 14 stops of usable range. 12 stops of usable dynamic range is a good rating for a cinema camera. When we pull up that information in the blacks there is noise, but a lot more steps are visible behind it, just like on the Blackmagic URSA Mini 4K that displays a lot of noise early on. It is likely that the original Zenmuse X5 gives you more or less the same dynamic range. RAW on the other hand gives you finer gradations, more possibilities in post and an image that is more solid and can be graded further without destroying the image quality. Doing numerous comparisons with test charts, we have learned this over time. Note that a RAW camera doesn’t necessarily produce more dynamic range. It is rare that manufacturers are upfront when it comes to usable dynamic range. This is similar to the rating of the Sony a7S II, 3 stops more than the Blackmagic URSA Mini 4K and 2 stops less than the Arri ALEXA.ĭJI advertises the dynamic range of the Zenmuse X5R camera at 12.8 stops. Our software measured about 12 stops of usable dynamic range on the DJI Osmo RAW (Zenmuse X5R camera). Unfortunately, our test lens, the Zeiss 50mm Cp2 macro, is not compatible with the Osmo, so we used the 15mm F/1.7 MFT lens that came with the Osmo X5R. We’re testing usable dynamic range with a DSC labs XYLA-21 transmissive test chart. The X3 camera on the original DJI Osmo suffers from a very poor dynamic range, which is especially problematic when capturing landscapes with the DJI inspire 1 drone. We’ve gone through DaVinci resolve to create a flat image of our recording and measured it with our software.Ī good dynamic range rating allows us to capture more shadows and highlights in high-contrast scenes. Dynamic Rangeĭynamic range is difficult to measure properly, especially on a RAW camera where processing is done by the user and not by the camera. We’ve tested the ergonomics of the device, now let’s see how the little Osmo RAW compares in terms of image quality. The integrated stabilizer makes this an extremely convenient tool, and the fact that there’s a potential for high quality footage with its RAW recording makes it compete with much more professional and expensive cameras. Very small, light and with a promise of 4K RAW that can also take to the skies when attached to the DJI inspire 1. The DJI Osmo RAW version is quite a bold little camera. Here are our lab test results when compared to professional cinema cameras.ĭJI Osmo RAW Compared to Professional Cinema Cameras We were very curious to find out what the camera quality was really like. : We have now also compared the X5R to the X5 and X3: LINK But the focus of our attention is the DJI Zenmuse X5R Camera, which can be attached to the DJI Osmo with the Osmo X5 Adapter and produce powerful cinematic RAW footage in 4K with Osmo stabilization in an ultra-compact form factor. The DJI Osmo RAW has finally arrived at the cinema5D office, as you may have seen in Nino’s Osmo review. keyboard_arrow_rightCameras of the Year.keyboard_arrow_rightGear Guides by Budget.keyboard_arrow_rightGear Guides by Type.
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